ANSANI, ALESSANDRO
ANSANI, ALESSANDRO
Dipartimento di Filosofia, Comunicazione e Spettacolo
Recognition memory in movie scenes: the soundtrack induces mood-coherent bias, but not through mood induction
2022-01-01 Ansani, Alessandro; Marini, Marco; Poggi, Isabella; Mallia, Luca
How Soundtracks Shape What We See: Analyzing the Influence of Music on Visual Scenes Through Self-Assessment, Eye Tracking, and Pupillometry
2020-01-01 Ansani, Alessandro; Marini, Marco; D'Errico, Francesca; Poggi, Isabella
Music and Time Perception in Audiovisuals: Arousing Soundtracks Lead to Time Overestimation No Matter Their Emotional Valence
2021-01-01 Ansani, A; Marini, M; Mallia, L; Poggi, I
Analyzing the Perceived Utility of Covid-19 Countermeasures: The Role of Pronominalization, Moral Foundations, Moral Disengagement, Fake News Embracing, and Health Anxiety
2021-01-01 Ansani, A; Marini, M; Cecconi, C; Dragoni, D; Rinallo, E; Poggi, I; Mallia, L
The impact of facemasks on emotion recognition, trust attribution and re-identification
2021-01-01 Marini, Marco; Ansani, Alessandro; Paglieri, Fabio; Caruana, Fausto; Viola, Marco
Facial impression of trustworthiness biases statement credibility unless suppressed by facemask
2022-01-01 Marini, Marco; Paglieri, Fabio; Ansani, Alessandro; Caruana, Fausto; Viola, Marco
Multimodality and Music Performance. The Lexicons of Gesture and Gaze in Orchestra and Choir Conductors.
2022-01-01 Poggi, Isabella; Ansani, Alessandro
Forte, piano, crescendo, diminuendo: Gestures of intensity in orchestra and choir conduction
2017-01-01 Poggi, Isabella; Ansani, Alessandro
Gestures of intensity in orchestra and choir conduction
2017-01-01 Poggi, I.; Ansani, Alessandro
Phonetic and functional features of pauses, and concurrent gestures, in tourist guides' speech
2020-01-01 Cataldo, V; Schettino, L; Savy, R; Poggi, I; Origlia, A; Ansani, A; Sessa, I; Chiera, A
Human, all too human: Towards a disfluent virtual tourist guide
2019-01-01 Origlia, Antonio; Renata, Savy; Violetta, Cataldo; Loredana, Schettino; Ansani, Alessandro; Sessa, Isora; Chiera, Alessandra; Poggi, Isabella
The lexicon of the conductor’s gaze
2018-01-01 Poggi, Isabella; Ansani, Alessandro
Sighs in everyday life and in political communication
2018-01-01 Poggi, Isabella; Ansani, Alessandro; Cecconi, Christian
Geert Brône and Bert Oben (Eds.): Eye-tracking in interaction: (2018) [book review]
2020-01-01 Ansani, A
Attraction comes from many sources: Attentional and comparative processes in decoy effects
2020-01-01 Marini, M.; Ansani, A.; Paglieri, F.
The meanings of the sigh. Vocal Expression along the route of our desires.
2018-01-01 Poggi, I.; Ansani, A.; Cecconi, C.
Trusting COVID-19 vaccines as individual and social goal
2022-01-01 Falcone, Rino; Ansani, Alessandro; Colì, Elisa; Marini, Marco; Sapienza, Alessandro; Castelfranchi, Cristiano; Paglieri, Fabio
The Power of Gaze in Music. Leonard Bernstein’s Conducting Eyes
2020-01-01 Poggi, I; Ranieri, L; Leone, Y; Ansani, A
You will be judged by the music I hear’: A study on the influence of music on moral judgement.
2019-01-01 Ansani, A.; Poggi, I; D'Errico, F
The conductor’s intensity gestures
2020-01-01 Poggi, Isabella; D’Errico, Francesca; Ansani, Alessandro