Lo sguardo cieco. Scene alla finestra nei "Dubliners"

In Joyce's "Dubliners", the complex organisation of narrative time is mirrored by a crafty organisation of narrative space, both in the macrostructure, where the alternation of stories en plein air and stories set in enclosed spaces creates a quasi cinematic rhythm, and within each story, where stairs, windows, crowded rooms and empty trams create a subtle language. Through the analysis of some meaningful scenes at the window, the essay reconstructs the poetics of space on which Joyce's stories are based.