Métaphores

More than making garden…it’s an excuse to approach and involve th art in it; art such a san expressive register, baking up the need of a “new” dimension, a dimension not far from reality but surely a strong visual contrast removing the anti-stress purpose that the garden symbolize in the deonthology of landscape. This intervention aims to incite a gentle restleness caused by interference with elements, feigning the seeming management of nature’s mess. It’s not a description sweet, perfect and purified by every anomaly, infinitely ordinary a world of appearance or utopian and romantic views, far from tale’s world, but an attempt to synthetize in the expressive art the chanciness with a complex order able to avoid both perception and human comprehension, an order in with the rules of old platonic armony idea’s won’t checkable anymore. Chaotic ways can’t be interpret only as unpredictables even if irregulars, can’t be shutted up in the limited term of mess, which is in anyway synonym of dynamicsistem, for seeble after a time, then connected with more or less complex idea. Nature appears more and more like a “reality” difficult to define. Abolished the strong desire to dominate her completely, it’s better searching for new possibility that can consider all the elements at stake, which show a sort of discontinuity and ambiguity in the idea of the nature, appearing strangely available to new and fresh possibility of matches and interactions which are formed when happen some occurrences. Bo the nature isn’t involved in a lifeless balance where human being’s organization it’s simply an exception, and where there aren’t ideas of progress and full liberty, but it’s everything planned by laws that governing the course between order and mess, opening several ways to the “new”, to rebellion, a kind of interaction between the reasons of the “different” compared with the identical already known.