The essay focuses on the surge of homosexual desire in adolescent girls as dealt with 'Lost and Delirious' (2001), a film of Léa Pool, and 'Blue is the Warmest Color' (2010), a graphic novel by young French artist Julie Maroh, adapted by French-Tunisian Director Adbellatif Kechiche as 'La Vie d'Adèle' (2013). The methodology of visual culture is to describe the tensions between visual and verbal representation.

Ann Kaplan, E., Pravadelli, V., Majumdar, N., Lant, A., De Pascalis, I.A., Pérez Melgosa, A., et al. (2017). Visual Encounters in "Lost and Delirious" and "Blue is the Warmest Color". In Veronica Pravadelli (a cura di), Contemporary Women's Cinema, Global Scenarios and Transnational Contexts (pp. 217-227). Milan - Udine : MIM Edizioni srl.

Visual Encounters in "Lost and Delirious" and "Blue is the Warmest Color"

Veronica Pravadelli;Ilaria A. De Pascalis;Sabrina Vellucci;Maria Anita Stefanelli
2017

Abstract

The essay focuses on the surge of homosexual desire in adolescent girls as dealt with 'Lost and Delirious' (2001), a film of Léa Pool, and 'Blue is the Warmest Color' (2010), a graphic novel by young French artist Julie Maroh, adapted by French-Tunisian Director Adbellatif Kechiche as 'La Vie d'Adèle' (2013). The methodology of visual culture is to describe the tensions between visual and verbal representation.
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Ann Kaplan, E., Pravadelli, V., Majumdar, N., Lant, A., De Pascalis, I.A., Pérez Melgosa, A., et al. (2017). Visual Encounters in "Lost and Delirious" and "Blue is the Warmest Color". In Veronica Pravadelli (a cura di), Contemporary Women's Cinema, Global Scenarios and Transnational Contexts (pp. 217-227). Milan - Udine : MIM Edizioni srl.
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Utilizza questo identificativo per citare o creare un link a questo documento: http://hdl.handle.net/11590/327044
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