An outlook on the Neapolitan popular music scene from the early '60s, when it was time to bypass the suffocating tradition of the Neapolitan song, to the advent of the rap music in the '90s: the discovery of folk music, the incorporation of rock-blues and jazz sounds into Neapolitan music led to a new Neapolitan wave of performers (Alan Sorrenti, Edorado Bennato, Nuova Compagnia di Canto Popolare, James Senese, Pino Daniele, etc.) , later to be called "Naples Power".
Vacca, G. (2014). Music and Countercultures in Italy: The Neapolitan Scene. In Sheila Whiteley and Jedediah Sklower (a cura di), Countercultures and Popular Music (pp. 237-249). FARNHAM - GBR : Ashgate.
Music and Countercultures in Italy: The Neapolitan Scene
Vacca G
2014-01-01
Abstract
An outlook on the Neapolitan popular music scene from the early '60s, when it was time to bypass the suffocating tradition of the Neapolitan song, to the advent of the rap music in the '90s: the discovery of folk music, the incorporation of rock-blues and jazz sounds into Neapolitan music led to a new Neapolitan wave of performers (Alan Sorrenti, Edorado Bennato, Nuova Compagnia di Canto Popolare, James Senese, Pino Daniele, etc.) , later to be called "Naples Power".I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
