In an interview, Klaus Theweleit emphasizes that Rolf Dieter Brinkmann's writing is based on the conviction that technical media such as film and photography capture reality more directly than language. According to Theweleit, this competition leads to the “dismissal” of language. Brinkmann's provocative statement that language is ultimately unimportant seems to confirm this thesis. However, this article shows that Brinkmann's literary practice does not represent a capitulation to technology, but rather develops a transmedial poetics in which stimuli from the media are integrated into a literary concept that focuses on the body.
Vangi, M.F. (2025). Entlassung der Sprache? Die Überforderung der literarischen Form in der medienextensiven Poetik Rolf Dieter Brinkmanns. In M.H. Stephanie Bremerich (a cura di), Form-Gewinn. Potenzierung, Revision und Verzicht in der Poetik seit 1945 (pp. 213-229). Stuttgart : Metzler [10.1007/978-3-662-70981-8_17].
Entlassung der Sprache? Die Überforderung der literarischen Form in der medienextensiven Poetik Rolf Dieter Brinkmanns
Michele Fabio Vangi
2025-01-01
Abstract
In an interview, Klaus Theweleit emphasizes that Rolf Dieter Brinkmann's writing is based on the conviction that technical media such as film and photography capture reality more directly than language. According to Theweleit, this competition leads to the “dismissal” of language. Brinkmann's provocative statement that language is ultimately unimportant seems to confirm this thesis. However, this article shows that Brinkmann's literary practice does not represent a capitulation to technology, but rather develops a transmedial poetics in which stimuli from the media are integrated into a literary concept that focuses on the body.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.


