Benvenuti nell'Anagrafe della Ricerca d'Ateneo
La valutazione delle attività di ricerca che si svolgono nelle università ha assunto un'importanza rilevante sia per l'intero sistema universitario sia all'interno di ogni singolo ateneo. Roma Tre si è quindi dotata di idonei strumenti informativi in grado di supportare al meglio le azioni di monitoraggio e di valutazione delle attività di ricerca svolte nei propri dipartimentied ha realizzato una Anagrafe della Ricerca di Ateneo.
EnglishThe human mind tends to recognize numbers, shapes and forms in the external world. Geometric shapes persist in Art and Architecture from Prehistory to Modern Age. In this paper we report about an ongoing investigation into this persistence, starting from sinusoids and oscillations, catenaries and helicoids, chosen as possible organization centers of the many recognizable forms. The aim is to understand how, when and why this persistence of forms has accompanied the parallel evolution of Art and Science. Examples are chosen from Mesopotamian Art, Gothic, Islamic Art, Baroque and Modern Architecture. Key words.
CONVERSANO E, FRANCAVIGLIA M, LORENZI M, & TEDESCHINI-LALLI LAURA (2011). On the Persistence of Form in Art and Architecture: Catenaries, Sinusoids and Helicoids. APLIMAT - JOURNAL OF APPLIED MATHEMATICS, 4(4), 101-112.
| Titolo: | On the Persistence of Form in Art and Architecture: Catenaries, Sinusoids and Helicoids |
| Autori: | |
| Data di pubblicazione: | 2011 |
| Rivista: | |
| Citazione: | CONVERSANO E, FRANCAVIGLIA M, LORENZI M, & TEDESCHINI-LALLI LAURA (2011). On the Persistence of Form in Art and Architecture: Catenaries, Sinusoids and Helicoids. APLIMAT - JOURNAL OF APPLIED MATHEMATICS, 4(4), 101-112. |
| Abstract: | The human mind tends to recognize numbers, shapes and forms in the external world. Geometric shapes persist in Art and Architecture from Prehistory to Modern Age. In this paper we report about an ongoing investigation into this persistence, starting from sinusoids and oscillations, catenaries and helicoids, chosen as possible organization centers of the many recognizable forms. The aim is to understand how, when and why this persistence of forms has accompanied the parallel evolution of Art and Science. Examples are chosen from Mesopotamian Art, Gothic, Islamic Art, Baroque and Modern Architecture. Key words. |
| Handle: | http://hdl.handle.net/11590/135391 |
| Appare nelle tipologie: | 1.1 Articolo in rivista |
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