The article deals with the question of envy, the sad passion for excellence, and connects it to the experience of film spectatorship, denying the possibility of a envious spectator. The chance of this connection passes through two assumptions: first, the link, not only etymological, between envy and vision, that in the thought of Jacques Lacan necessarily leads to the theme of narcissism; secondly, the identification between spectator and character, that wears the mask of “ego ideal”.
Angelucci, D. (2014). Lo sguardo senza invidia: il cinema e la maschera dell'io ideale. FATA MORGANA, 22, 57-65.
Titolo: | Lo sguardo senza invidia: il cinema e la maschera dell'io ideale |
Autori: | |
Data di pubblicazione: | 2014 |
Rivista: | |
Citazione: | Angelucci, D. (2014). Lo sguardo senza invidia: il cinema e la maschera dell'io ideale. FATA MORGANA, 22, 57-65. |
Abstract: | The article deals with the question of envy, the sad passion for excellence, and connects it to the experience of film spectatorship, denying the possibility of a envious spectator. The chance of this connection passes through two assumptions: first, the link, not only etymological, between envy and vision, that in the thought of Jacques Lacan necessarily leads to the theme of narcissism; secondly, the identification between spectator and character, that wears the mask of “ego ideal”. |
Handle: | http://hdl.handle.net/11590/143499 |
Appare nelle tipologie: | 1.1 Articolo in rivista |
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