The stage directions of Martes del Carnaval as a whole présent some intra-textual isotopic lines that interlace to créate a descriptive discourse, whose main function is didactic. The Acotador, through close descriptive mechanisms, instructs the reader how to view the text. An attentive study of thèse mechanisms should be based on a topic analysis of the stage directions, that is, the investigation of the intra-textual commonplaces that give a systematic structure to the stage directions. The syntactical and semantic dynamics which the Acotador uses to express the tópoi produce a series of esperpentic macro-signs, necessary to give meaning to the whole work.
Trecca, S. (2003). La tópica esperpéntica en el discurso descriptivo de las acotaciones en "Martes de Carnaval". CRITICÓN, 87-88-89, 865-875.
La tópica esperpéntica en el discurso descriptivo de las acotaciones en "Martes de Carnaval"
TRECCA, SIMONE
2003-01-01
Abstract
The stage directions of Martes del Carnaval as a whole présent some intra-textual isotopic lines that interlace to créate a descriptive discourse, whose main function is didactic. The Acotador, through close descriptive mechanisms, instructs the reader how to view the text. An attentive study of thèse mechanisms should be based on a topic analysis of the stage directions, that is, the investigation of the intra-textual commonplaces that give a systematic structure to the stage directions. The syntactical and semantic dynamics which the Acotador uses to express the tópoi produce a series of esperpentic macro-signs, necessary to give meaning to the whole work.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
