To Odin’s customary spectators, often the performances seem to offer a private, almost autobiographic aspect. But this secret autobiography is not the performance’s false bottom. It is a fissure, that seems to have been created deliberately to break the illusion and the polish of the performance, and at the same time to make it vulnerable. For us spectators, it becomes a door. Leading to where?
Schino, M. (2015). La ragazza con la pistola. Spettatori dell'Odin. TEATRO E STORIA, 35, 149-164.
La ragazza con la pistola. Spettatori dell'Odin
SCHINO, MIRELLA
2015-01-01
Abstract
To Odin’s customary spectators, often the performances seem to offer a private, almost autobiographic aspect. But this secret autobiography is not the performance’s false bottom. It is a fissure, that seems to have been created deliberately to break the illusion and the polish of the performance, and at the same time to make it vulnerable. For us spectators, it becomes a door. Leading to where?File in questo prodotto:
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