What happened to Italian theatre and Italian acting traditions during the fascist period? As the regime progressively aged, symptoms of impatience, and even disillusionment may be noted in the theatre. This was rather unexpected, given Mussolini’s personal interest. Prose theatre becomes increasingly anaemic. The article explores the reasons for this; they were due more to a lack of respect and acknowledgement of values, rather than to actual changes or pressure enforced by the regime. The acting traditions, which had survived well into the twentieth century, fell apart without leaving any trace, any seed or heritage.
Mirella, S. (2017). Dal punto di vista degli attori. TEATRO E STORIA, 38, 67-113.
|Titolo:||Dal punto di vista degli attori|
|Data di pubblicazione:||2017|
|Citazione:||Mirella, S. (2017). Dal punto di vista degli attori. TEATRO E STORIA, 38, 67-113.|
|Appare nelle tipologie:||1.1 Articolo in rivista|