Visconti – always formally related to the decadent movement, whereas we suggest using the more appropriate term of décadence as it brings back within its semantic field the Nietzschean notion of artificiality – carries on a meta-linguistic experience through the aesthetic and epiphanic role of the disguise. With his last five films, Visconti hides behind his aesthetics of artifice showing his “true” deceiving self.
Mazzarella, A. (2019). Le maschere dell'artista. Visconti interprete della décadence. COSMO, 15, 329-336 [10.13135/2281-6658/4030].
Le maschere dell'artista. Visconti interprete della décadence
mazzarella
2019-01-01
Abstract
Visconti – always formally related to the decadent movement, whereas we suggest using the more appropriate term of décadence as it brings back within its semantic field the Nietzschean notion of artificiality – carries on a meta-linguistic experience through the aesthetic and epiphanic role of the disguise. With his last five films, Visconti hides behind his aesthetics of artifice showing his “true” deceiving self.File in questo prodotto:
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