The essay is focused on how Duras' film writing is a visual expression of the central themes of her literature (love and desire) and how certain pratctices of aesthetic aniconism, and their thoretical reading, refer to the manifestation of emotional and sentimental control.
Perniola, I. (2020). Marguerite Duras, Experimental Filmaker Between Antinarration and Iconoclasm. CINÉMA & CIE, XX(34), 61-71.
Marguerite Duras, Experimental Filmaker Between Antinarration and Iconoclasm.
Ivelise, Perniola
2020-01-01
Abstract
The essay is focused on how Duras' film writing is a visual expression of the central themes of her literature (love and desire) and how certain pratctices of aesthetic aniconism, and their thoretical reading, refer to the manifestation of emotional and sentimental control.File in questo prodotto:
Non ci sono file associati a questo prodotto.
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
