The essay is focused on how Duras' film writing is a visual expression of the central themes of her literature (love and desire) and how certain pratctices of aesthetic aniconism, and their thoretical reading, refer to the manifestation of emotional and sentimental control.

Perniola, I. (2020). Marguerite Duras, Experimental Filmaker Between Antinarration and Iconoclasm. CINEMA & CIE, XX(34), 61-71.

Marguerite Duras, Experimental Filmaker Between Antinarration and Iconoclasm.

Ivelise, Perniola
2020

Abstract

The essay is focused on how Duras' film writing is a visual expression of the central themes of her literature (love and desire) and how certain pratctices of aesthetic aniconism, and their thoretical reading, refer to the manifestation of emotional and sentimental control.
Perniola, I. (2020). Marguerite Duras, Experimental Filmaker Between Antinarration and Iconoclasm. CINEMA & CIE, XX(34), 61-71.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11590/385887
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