This paper deals with the typically postmodern transformism of Carter’s production by focusing on the relationship between the short story and screenplay versions of Gun for the Devil. By considering their common dynamics of reversal and trespassing, it illustrates the specifically transforming, hence “diabolical” quality of both content and form, and suggests a possible drawback.
Stevanato, S. (2020). “Una Bibbia di confine: Angela Carter, Gun for the Devil”. HUMANITAS, LXXV(3), 466-474.
“Una Bibbia di confine: Angela Carter, Gun for the Devil”
Savina Stevanato
2020-01-01
Abstract
This paper deals with the typically postmodern transformism of Carter’s production by focusing on the relationship between the short story and screenplay versions of Gun for the Devil. By considering their common dynamics of reversal and trespassing, it illustrates the specifically transforming, hence “diabolical” quality of both content and form, and suggests a possible drawback.File in questo prodotto:
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