Le vertige intertextuel. Une lecture de Kamel Daoud, Meursault, contre-enquête

By questioning the presence of the work of Albert Camus in the novel Meursault, contre-enquête (Barzakh, 2013 and Actes Sud, 2014) by Kamel Daoud, the marks appear of a political and poetic commitment that arises today as yesterday from a concern due to the absence of landmarks.Two authors, both writers and journalists, from one side to the other of colonial history, raise the fundamental question of the reason of hate. Daoud with his Arab, like Camus with his Meursault, find the answer beyond ideologies, but in the absurd. Is this the price to pay to free oneself from a story haunted by the colonial fracture?.