This essay has been prepared for the monographic issue of the journal Opus Incertum devoted to "Talking facades", subject to selection by cfp. The essay focuses on the ‘talking’ façade of Palazzo Bevilacqua in Ferrara, lavishly decorated by trophies,panoplies, and eight mottos in Latin. The text is divided into three parts. The first is dedicated to the analysis of the palace, with particular attention to the iconographic programme sculpted on the façade, refashioned by cardinal Bonifacio Bevilacqua in 1601. The second focuses on the interpretation of the epigraphs in relation to the antiquarian culture of the city. The third proposes the reconstruction of the cultural biography of the patron of the building. Through the analysis of published and unpublished documents and sources, the essay proposes the first in-depth investigation of Palazzo Bevilacqua, in order to place it in the artistic and cultural context of Ferrara, where the new political establishment – a few years after the Devolution to the Papal State (1598) – coexisted with the cultural legacy forged by the duke Alfonso II d’Este (1559-1597) and his entourage of antiquarians Enea Vico, Agostino Mosti and Pirro Ligorio.
Mattei, F. (2022). Epigrafi, armi, trofei. Il palazzo del cardinale Bonifacio Bevilacqua a Ferrara (1601). OPUS INCERTUM, 8, 96-107.
Epigrafi, armi, trofei. Il palazzo del cardinale Bonifacio Bevilacqua a Ferrara (1601)
francesca mattei
2022-01-01
Abstract
This essay has been prepared for the monographic issue of the journal Opus Incertum devoted to "Talking facades", subject to selection by cfp. The essay focuses on the ‘talking’ façade of Palazzo Bevilacqua in Ferrara, lavishly decorated by trophies,panoplies, and eight mottos in Latin. The text is divided into three parts. The first is dedicated to the analysis of the palace, with particular attention to the iconographic programme sculpted on the façade, refashioned by cardinal Bonifacio Bevilacqua in 1601. The second focuses on the interpretation of the epigraphs in relation to the antiquarian culture of the city. The third proposes the reconstruction of the cultural biography of the patron of the building. Through the analysis of published and unpublished documents and sources, the essay proposes the first in-depth investigation of Palazzo Bevilacqua, in order to place it in the artistic and cultural context of Ferrara, where the new political establishment – a few years after the Devolution to the Papal State (1598) – coexisted with the cultural legacy forged by the duke Alfonso II d’Este (1559-1597) and his entourage of antiquarians Enea Vico, Agostino Mosti and Pirro Ligorio.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.