This article analyzes a Catalan folklore text of the cumulative type about the journey of an ant to Jerusalem, which is reflected in a fantastic trilogy about ants by the modern French writer Bernard Werber. It examines the origins of this plot. One part of it repeats the chain of characters from the Jewish Passover song “Had Gadya”; echoes of this plot are numerous in European culture. The other part derives from the Indian Panchatantra; this plot came to Europe thanks to La Fontaine’s fables. The author also considers the role of the ant in world mythology; here, despite its size, the ant may possess supernatural qualities and have the ability to cross between the worlds of the living and of the dead, thus actualizing the special theme of the “ant’s journey.” Based on the foregoing analysis as well as research about the place where the folklore text was recorded, the author concludes that the plot about the ant’s journey to Jerusalem did not appear on the territory of Occitania by accident and that it relates to the historical and cultural realities of the area, dating back to the era of the Crusades.
Zavyalova, M. (2022). Palomnichestvo murav'ya: ot Indii k Oksitanii. TRADICIONNAA KULʹTURA, 23(1), 51-68 [10.26158/TK.2022.23.1.005].
Palomnichestvo murav'ya: ot Indii k Oksitanii
Zavyalova Maria
2022-01-01
Abstract
This article analyzes a Catalan folklore text of the cumulative type about the journey of an ant to Jerusalem, which is reflected in a fantastic trilogy about ants by the modern French writer Bernard Werber. It examines the origins of this plot. One part of it repeats the chain of characters from the Jewish Passover song “Had Gadya”; echoes of this plot are numerous in European culture. The other part derives from the Indian Panchatantra; this plot came to Europe thanks to La Fontaine’s fables. The author also considers the role of the ant in world mythology; here, despite its size, the ant may possess supernatural qualities and have the ability to cross between the worlds of the living and of the dead, thus actualizing the special theme of the “ant’s journey.” Based on the foregoing analysis as well as research about the place where the folklore text was recorded, the author concludes that the plot about the ant’s journey to Jerusalem did not appear on the territory of Occitania by accident and that it relates to the historical and cultural realities of the area, dating back to the era of the Crusades.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.