In this article, I explore the nexus between colonial history, tourism industry, and ecological violence through V.S. Naipaul’s The Middle Passage (1962) and Jamaica Kincaid’s A Small Place (1988), with special reference to the way the sea is constructed in both texts. In The Middle Passage, Naipaul describes the nascent tourism industry as a new form of colonialism, if not a new form of slavery. In A Small Place, Jamaica Kincaid further investigates the damage that tourism can inflict on the fragile ecosystem of Caribbean islands. I argue that these two writers – well ahead of their time – unravel the intersection of colonial attitudes, encompassing their modern manifestation in irresponsible tourist exploitation, and what Angela Davis calls “systematic assaults on the environment, including its human expressions.”
Corso, S. (2025). "This satanic sea": V.S.Naipaul, Jamaica Kincaid and the Caribbean Predicament. TEXTUS, XXXVIII (2025)(No. 2), 183-199.
"This satanic sea": V.S.Naipaul, Jamaica Kincaid and the Caribbean Predicament
Simona Corso
2025-01-01
Abstract
In this article, I explore the nexus between colonial history, tourism industry, and ecological violence through V.S. Naipaul’s The Middle Passage (1962) and Jamaica Kincaid’s A Small Place (1988), with special reference to the way the sea is constructed in both texts. In The Middle Passage, Naipaul describes the nascent tourism industry as a new form of colonialism, if not a new form of slavery. In A Small Place, Jamaica Kincaid further investigates the damage that tourism can inflict on the fragile ecosystem of Caribbean islands. I argue that these two writers – well ahead of their time – unravel the intersection of colonial attitudes, encompassing their modern manifestation in irresponsible tourist exploitation, and what Angela Davis calls “systematic assaults on the environment, including its human expressions.”I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.


