This article explores radio as a phantasmatic machine, a medium in which voice, silence, and noise converge to produce an uncanny form of narration that destabilizes the boundary between reality and fiction. Focusing on the BBC radio adaptation of Saki’s short story The Open Window, the study examines how acousmatic voice and sound design generate a space of perceptual uncertainty, where presence and absence, truth and illusion, constantly shift. Drawing on narratological theories of metalepsis (Genette, Fludernik) and on audiographic and media-theoretical approaches, the paper argues that radio, as an electric and disembodied medium, intensifies the storyteller’s power and reconfigures narrative authority. Through the figure of Vera, the analysis shows how radio dramatization foregrounds the performative and deceptive potential of voice, transforming ordinary domestic space into an eerie acoustic theatre and revealing radio’s capacity to act as a device of narrative transgression and sensory haunting.
Il saggio analizza la radio come macchina fantasmatica, un medium in cui voce, silenzio e rumore si intrecciano producendo una forma di narrazione perturbante che mette in crisi il confine tra realtà e finzione. A partire dall’adattamento radiofonico della BBC del racconto di Saki The Open Window, lo studio mostra come la voce acusmatica e il disegno sonoro costruiscano uno spazio di incertezza percettiva, in cui presenza e assenza, verità e illusione si contaminano continuamente. Facendo riferimento alle teorie narratologiche della metalessi (Genette, Fludernik) e agli studi sul suono e sui media, l’articolo sostiene che la radio, in quanto medium elettrico e disincarnato, intensifica il potere del narratore e ridefinisce l’autorità narrativa. Attraverso la figura di Vera, l’analisi mette in luce la dimensione performativa e ingannevole della voce, che trasforma lo spazio domestico in un teatro acustico inquietante e rivela la radio come dispositivo di trasgressione narrativa e di infestazione sensoriale.
Episcopo, G. (2024). Are You Shivering? Radio As a Phantasmatic Machine. CONTEMPORANEA, 22, 143-149.
Are You Shivering? Radio As a Phantasmatic Machine
giuseppe episcopo
2024-01-01
Abstract
This article explores radio as a phantasmatic machine, a medium in which voice, silence, and noise converge to produce an uncanny form of narration that destabilizes the boundary between reality and fiction. Focusing on the BBC radio adaptation of Saki’s short story The Open Window, the study examines how acousmatic voice and sound design generate a space of perceptual uncertainty, where presence and absence, truth and illusion, constantly shift. Drawing on narratological theories of metalepsis (Genette, Fludernik) and on audiographic and media-theoretical approaches, the paper argues that radio, as an electric and disembodied medium, intensifies the storyteller’s power and reconfigures narrative authority. Through the figure of Vera, the analysis shows how radio dramatization foregrounds the performative and deceptive potential of voice, transforming ordinary domestic space into an eerie acoustic theatre and revealing radio’s capacity to act as a device of narrative transgression and sensory haunting.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.


