To reflect on the limitations of sources and their use, the chosen field of investigation is the production and circulation of textiles in early medieval Rome. There is little information, few direct and indirect archaeological indicators from excavations, and a very limited number of textiles have survived to this day, all preserved in fragments, often in very small sizes. However, through the integrated study of documentary sources, such as the Liber Pontificalis and inventories of ecclesiastical assets on papyrus, the rare archaeological finds, the few textiles that have come down to us, and the paintings that imitate silk or linen fabrics preserved in the churches of Rome, new research perspectives are beginning to open on Roman textile manufacturing and on the channels for importing silk and linen.
Per riflettere sui limiti delle fonti e sul loro uso è stato scelto come campo di indagine quello della produzione e circolazione tessile nella Roma altomedievale. Poche sono le notizie, scarsi gli indicatori archeologici diretti e indiretti emersi dagli scavi e davvero esiguo è il numero di tessuti giunti sino a noi, tutti conservati in frammenti spesso di dimensioni davvero ridotte. Tuttavia, attraverso lo studio integrato di fonti documentarie, come il Liber Pontificalis e gli inventari di beni ecclesiastici su papiro, dei rari reperti archeologici, dei pochi tessuti giunti a noi e delle pitture che imitano tessuti serici o di lino conservate nelle chiese dell’Urbe, iniziano a aprirsi nuove prospettive di ricerca sulla manifattura tessile romana e sui canali di importazione di seta e lino.
Bordi, G. (2024). Ecce bombyx. Fonti, drappi e pitture nella Roma altomedievale. EVOMEDIO, I, 153-183 [10.13134/3035-4544/1-2025/9].
Ecce bombyx. Fonti, drappi e pitture nella Roma altomedievale
Giulia Bordi
2024-01-01
Abstract
To reflect on the limitations of sources and their use, the chosen field of investigation is the production and circulation of textiles in early medieval Rome. There is little information, few direct and indirect archaeological indicators from excavations, and a very limited number of textiles have survived to this day, all preserved in fragments, often in very small sizes. However, through the integrated study of documentary sources, such as the Liber Pontificalis and inventories of ecclesiastical assets on papyrus, the rare archaeological finds, the few textiles that have come down to us, and the paintings that imitate silk or linen fabrics preserved in the churches of Rome, new research perspectives are beginning to open on Roman textile manufacturing and on the channels for importing silk and linen.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.


