A study of the use of “prolepsis” in a short story by Alice Munro. Analysis of Munro’s narrative strategies of “indeterminacy,” of anticipation and deferring, of revealing and hiding, and of the misleading textual function of her “clues.” This close reading of the short story is ultimately encapsulated within the context of a neo-historicist approach to Postcolonialism.
Ricciardi, C. (2008). Hystory and Prolepsis: the 'Museum' in 'The Love of a Good Woman'. In Reading Alice Munro in Italy (pp.35-45). TORONTO : Frank Iacobucci Centre.
Hystory and Prolepsis: the 'Museum' in 'The Love of a Good Woman'
RICCIARDI, Caterina
2008-01-01
Abstract
A study of the use of “prolepsis” in a short story by Alice Munro. Analysis of Munro’s narrative strategies of “indeterminacy,” of anticipation and deferring, of revealing and hiding, and of the misleading textual function of her “clues.” This close reading of the short story is ultimately encapsulated within the context of a neo-historicist approach to Postcolonialism.File in questo prodotto:
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