Not many know that Canaletto made use of some escamodage for the creation of his famous paintings: he went around the streets of Venice with its Camera Optics, with which he could draw the reality projected onto its matte screen. Canaletto was open to new technologies, what we should do today too. Modern phablet allow to explore new ways of drawing, but these have an immediate historical reference: the optical camera is the camera of the device phablet, the matte glass screen is the super AMELED screen, the pencil is the optical pen...

Calisi, D. (2014). Canaletto: mago della prospettiva o illusionista? camera ottica versus phablet. In Revisione del futuro - previsiones del pasado (pp.454-464).

Canaletto: mago della prospettiva o illusionista? camera ottica versus phablet

daniele calisi
Writing – Original Draft Preparation
2014-01-01

Abstract

Not many know that Canaletto made use of some escamodage for the creation of his famous paintings: he went around the streets of Venice with its Camera Optics, with which he could draw the reality projected onto its matte screen. Canaletto was open to new technologies, what we should do today too. Modern phablet allow to explore new ways of drawing, but these have an immediate historical reference: the optical camera is the camera of the device phablet, the matte glass screen is the super AMELED screen, the pencil is the optical pen...
2014
9788897821809
Calisi, D. (2014). Canaletto: mago della prospettiva o illusionista? camera ottica versus phablet. In Revisione del futuro - previsiones del pasado (pp.454-464).
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11590/328783
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