Artwork counterfeiting is an historical problem, which has nowadays still ancient solution, not based on innovative technology, due to the intrinsic nature of the artworks themselves. In this paper an innovative system based on smartphone acquisition and mobile application is depicted to verify artwork authenticity based on typical craquelure patterns present in ancient painting. These patterns are unique and can be modified only via a complete and accurate artwork restoration process. This approach is based on like biometry paradigm (analogue fingerprinting) adapted to the painting pattern.
Schirripa Spagnolo, G., Cozzella, L., Leccese, F. (2020). Project of Electronic Identity of painting. In 2020 IMEKO TC-4 International Conference on Metrology for Archaeology and Cultural Heritage (pp.420-424). International Measurement Confederation (IMEKO).
Project of Electronic Identity of painting
Schirripa Spagnolo G.;Cozzella L.;Leccese F.
2020-01-01
Abstract
Artwork counterfeiting is an historical problem, which has nowadays still ancient solution, not based on innovative technology, due to the intrinsic nature of the artworks themselves. In this paper an innovative system based on smartphone acquisition and mobile application is depicted to verify artwork authenticity based on typical craquelure patterns present in ancient painting. These patterns are unique and can be modified only via a complete and accurate artwork restoration process. This approach is based on like biometry paradigm (analogue fingerprinting) adapted to the painting pattern.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
