The article examines the material history and spatial dynamics of the Methodist church known as Washington Square Church, a congregation founded on Sullivan Street in Manhattan, NY, in 1820, and now Church of the Village. The church’s transition from religious site to luxury apartments exemplifies diachronic sharing, highlighting the shift from sacred to secular use. Such conversions shed light on the fluidity of space and community. Drawing on documentary and ethnographic research, the geo-historical evolution of the Church and the changes in location and identity of its community are reconstructed. This reveals how spatial displacement has shaped the narrative of the church over time. The analysis also applies the perspectives of hybridization and sharing to the history of the church, showing how it has functioned as a site of continual encounter and exchange between the secular and the sacred, black and white communities, Americans and migrants and, more recently, in the context of LGBTQ+ rights. The microhistory approach sheds light on the porous and dynamic nature of religious spaces, offering a richer understanding of their transformation and diachronic significance.
Giorda, M.C. (2025). The Material and Invisible History of a Methodist Church in New York City. RIFORMA E MOVIMENTI RELIGIOSI, 17, 111-143.
The Material and Invisible History of a Methodist Church in New York City
Maria Chiara Giorda
2025-01-01
Abstract
The article examines the material history and spatial dynamics of the Methodist church known as Washington Square Church, a congregation founded on Sullivan Street in Manhattan, NY, in 1820, and now Church of the Village. The church’s transition from religious site to luxury apartments exemplifies diachronic sharing, highlighting the shift from sacred to secular use. Such conversions shed light on the fluidity of space and community. Drawing on documentary and ethnographic research, the geo-historical evolution of the Church and the changes in location and identity of its community are reconstructed. This reveals how spatial displacement has shaped the narrative of the church over time. The analysis also applies the perspectives of hybridization and sharing to the history of the church, showing how it has functioned as a site of continual encounter and exchange between the secular and the sacred, black and white communities, Americans and migrants and, more recently, in the context of LGBTQ+ rights. The microhistory approach sheds light on the porous and dynamic nature of religious spaces, offering a richer understanding of their transformation and diachronic significance.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.


